Episode 40: How to Write Surprises and Mysteries in Any Genre – Part Two

Show Notes for Episode 40: How to Write Surprises and Mysteries in Any Genre – Part Two

The much needed follow up on ‘How to Write Surprises and Mysteries in Any Genre‘ is here!  Holly takes on a Sci-Fi Romance while I (host Rebecca Galardo) take on a straight genre Romance.  The first episode on this topic is pretty much required listening before taking on this one.  The following is the basic premise of both of these episodes together:

“Have you ever read a book that kept surprising you with twists and turns you didn’t see coming but once read you couldn’t unsee the clues?  How about the opposite – guessed the twist from the start?

If you aspire to write great mysteries in your novels and avoid at all costs the obvious surprises, this episode could give you the tools to do just that. I (host Rebecca Galardo) and Author/Teacher Holly Lisle discuss how to plan surprises and mysteries while leaving room for your muse to play.  Without over-planning, spontaneous twists that even shock you as the author can come into play!

Get the free worksheet on our download page at AIARWIP.com/downloads (no email requested, no obligation whatsoever).”

After the episode: Have something to say?  A question to ask? Jump into the FREE forums at HollysWritingClasses.com (no purchase or ownership of courses necessary) and share with us.

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Mentioned in the Podcast:

LINKS

Credits: Producer – Rebecca Galardo.  Sponsor – Holly’sWritingClasses.com.  Intro written by Holly Lisle and performed by Mark Hermann. Our podcast is 100% free and sponsored only by Holly’s Writing Classes. Music during Sponsor Spot: Jahzzar – Endeavour

Episode 03: Debugging a Plot

Show Notes for Episode 03: Debugging a Plot

Alone in a Room with Invisible People is a podcast focusing on topics related to writing, revising and publishing fiction.

In this episode, Host/writer Rebecca Galardo discusses the topic of Debugging a Plot with Author/Teacher Holly Lisle, covering an easy definition of plot, problems that can arise when one goes awry, good plots, and directions to look for when trying to figure out how to fix what breaks.

The take a look at the following:

  • How an antagonist is not always a villain
  • Limitations and why they’re important
  • How to start debugging
  • Why Reading like a Reader is important for a Writer
  • Why it’s bad when you get caught up in ‘Writer over Reader’
  • Why not to write to trends

 

Share, rate and subscribe for weekly episodes!

iTunes  |  Stitcher  |  Podbean  |  YouTube  | Spotify

 

Mentioned in the Podcast

 

Social Links
Facebook: https://www.facebook.com/aiarwip
Instagram: https://www.instagram.com/alonewithinvisiblepeople/
Twitter: https://twitter.com/aiarwip
Our Website: https://www.aiarwip.com/ https://www.alonewithinvisiblepeople.com/
HollysWritingClasses: https://hollyswritingclasses.com/
Holly’s Patreon: https://www.patreon.com/hollylisle/
Holly’s Personal Page: https://www.hollylisle.com/
Holly’s Blog: https://hollylisle.com/weblog/
Rebecca’s Personal Page: https://www.rebeccagalardo.com/
Rebecca’s Writing Blog: https://rebeccagalardowords.wordpress.com/

 

Credits:

Producer – Rebecca Galardo.  Sponsor – Holly’sWritingClasses.com.  Intro written by Holly Lisle and performed by Mark Hermann.

Our podcast is 100% free and sponsored only by Holly’s Writing Classes.